Couture Dress: fitting the muslin

I’ve fitted the muslin a couple of times. Made some changes in between. Fitted it again. Changed things. Fitted it some more. Laid it on a chair for a couple of weeks.
That’s a trusted way of proving sewing work, didn’t you know? It’s like good wine or bread dough, it has to have some time to make up its mind. * see foot note

The fitting is done. Now it’s time to take the muslin apart. I had one hour before reclining to the couch again (from where I’m writing you this)

Taking apart the muslin really is just a bit of work. The important thing is to carefully note all the changes you make. I used a green pen to draw the new sewing lines before taking them apart. Then, as soon as a seam was gone, I made sure to remove the stitching lines in black that were no longer relevant. They’d been replace by green pen lines in places.
If I don’t make very clear to myself which lines are the right ones I’ll go doubting further along in the process. Or worse: try and be smart(er).

Marking the new seam with green pen, before and after ripping the seam:
Untitled

Before doing anything else: ripping out the obsolete black lines:
Untitled

I am marking the new sewing lines on both sides of the fabric. I don’t know yet which side I’ll use as a template. Better be safe.
To mark a line on the right side of the fabric where you cannot see the seam I use this technique:
Untitled

I’ve made small stripes across the seam, marking the fabric on both sides of it. (I’ll now flip over the fabric and trace the seam on the wrong side, on both pieces of fabric. This is easy.)
When I rip the seam the small marks will still be there when I fold open the fabric (and a small line of puncture dots. But don’t be fooled, I’ve resewn many seams while adjusting this muslin and I’ll easily loose track of which puncture dots are the line I want to mark)
The line I want will be where the small stripes have a sharp break.

I’d show you more clearly what I mean but it’s couchy time now… perhaps I have another hour tomorrow.

footnote:

Here’s what really caused me to take so much time off sewing:

it was a lot of work fitting and changing the muslin, I was loosing my motivation a bit. So I sewed that bag and that skirt in between, that was fun!

In the mean time I’d been on holiday and had to recuperate from that for a couple of weeks. Meaning I couldn’t sit up long enough to sew or stand long enough to fit properly. I did a bit here and there, trying to leave myself good notes. But that didn’t work and every time I took up the muslin I had to fit it first again to understand what I was talking about.

Then, when I was a bit better I wore my working skirt for the first time, it was a Sunday morning. Suddenly a big dog came onto our terrain and chased our cat high up in a tree. I had to run outside and zipped up the skirt in a hurry, breaking the zipper in the process. The dog then jumped into our pond but came running when I bellowed for it. It pranced beside me to its owner, all the while streaking me with dirt and water.
Then we had to talk the cat down who was in shock. That’s when my broken, filthy skirt fell down to my ankles.

That’s when I lost the will to sew for a couple of weeks… Add another episode or two where my health took a blow and demanded some recuperation time en here we are, months along before I finally got my hands on the Couture Dress again.

But now I’m playing again! As soon as I have the chance I’ll work on it some more. I decided to make a practice dress first, without lining. Just so I have something to wear and something to play with. I’m a bit afraid to cut into the gnome fabric. First I want to get the pattern right.
I’m looking forward to playing and making a practice dress.

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